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The scientist father of a teenage girl and boy accidentally shrinks his and two other neighborhood teens to the size of insects. Now the teens must fight diminutive dangers as the father searches for them.
When Captain Hook kidnaps his children, an adult Peter Pan must return to Neverland and reclaim his youthful spirit in order to challenge his old enemy.
A poor but hopeful boy seeks one of the five coveted golden tickets that will send him on a tour of Willy Wonka's mysterious chocolate factory.
A curious youngster moves to Salem, where he struggles to fit in before awakening a trio of diabolical witches that were executed in the 17th century.
After a bitter divorce, an actor disguises himself as a female housekeeper to spend time with his children held in custody by his former wife.
A Lion cub crown prince is tricked by a treacherous uncle into thinking he caused his father's death and flees into exile in despair, only to learn in adulthood his identity and his responsibilities.
When two kids find and play a magical board game, they release a man trapped for decades in it and a host of dangers that can only be stopped by finishing the game.
While home sick in bed, a young boy's grandfather reads him a story called The Princess Bride. Jack Skellington, king of Halloween Town, discovers Christmas Town, but his attempts to bring Christmas to his home causes confusion.
Mikey Walsh and Brandon Walsh are brothers whose family is preparing to move because developers want to build a golf course in the place of their neighborhood -- unless enough money is raised to stop the construction of the golf course, and that's quite doubtful.
The treasure is in a cavern, but the entrance to the cavern is under the restaurant of evil thief Mama Fratelli and her sons Jake Fratelli, Francis Fratelli, and the severely disfigured Lotney "Sloth" Fratelli.
Sloth befriends the Goonies and decides to help them. Written by Todd Baldridge. It was in or thereabouts that I watched and listened to the audio commentary track that is on the DVD version of The Goonies.
Nostalgia is a wonderful thing, and seeing how the principal cast had aged or hardly aged in Josh Brolin's case was worth the price of admission on its own.
But this is just one of The Goonies' selling points. Despite what the IMDb's ratings would have you believe, it is an immortal classic that warrants repeated and frequent viewings.
It is not a coincidence that many of its cast and crew have repeatedly appeared in all sorts of productions before and since.
Indeed, this was probably the first film that introduced me to the reality that the same actor will often play ten different parts in ten different films when I realised that Jonathan Ke Quan was the same brat that made parts of Indiana Jones And The Temple Of Doom so amusing.
Seeing him in the video-enhanced commentary of the DVD nearly two decades later was a surprise and a half. The film revolves around a group of children and adolescents who live in the poorer, less trendy part of a beachfront town.
Unlike an episode of Barney, every member of this principal group is given a background and a string of differences from their castmates.
You will not see the teenaged Brand responding to the same situation in the same manner as the ten year old Mikey, and that is where a major part of the film's strength is derived.
The only weakness in the characterisations is with Martha Plimpton and Kerri Green, who join the adventuring boys a little way into the film.
Exactly what they are doing other than giving the character of Brand something similar to himself to bounce his more adult-oriented lines from is anyone's guess, but they do work in their limited capacity.
It is just a pity that Chris Columbus' screenplay did not give them a little more to do, other than defuse one fiendish trap towards the end of the ride.
Speaking of fiendish traps, the adventurers journey from one puzzling location to the next with barely a stop for breath. It works because unlike similar adventure films where the director expects us to be impressed by a fiendish-sounding name, the specific places that are visited by the Goonies have function.
The bone piano shown in one such sequence, for example, would appear in the nightmares of children learning a regular piano for years after the film's theatrical release.
It also gives Corey Feldman a good chance to act out a character who speaks very fluent Spanish. And while I am on that subject, who could forget the immortal scene early on in the film where Mouth deliberately loses something in the translation when Rosalita is shown around?
But the prize for scene-stealing goes to John Matuszak, who plays the unofficial eighth Goonie, Sloth, with a weird aplomb that may well scare the willies out of parts of the intended audience.
But then, in , scaring the intended audience a little was considered a healthy part of making a film for those in the age ranges depicted here. They say you cannot have a good protagonist without a good antagonist to bounce off.
Robert Davi, Joe Pantoliano, and Anne Ramsey provide antagonists so good that they utterly hose the rule about not working with animals or children.
The Fratellis work so well here because they are working with children. The late Anne Ramsey played her part so well that the mere thought of watching her in anything scared the willies out of me for years.
Nowadays, as I have fully realised the mechanics behind film for some years, I am keen as mustard to see some of her other work in such pieces as Throw Momma From The Train now there's a title that brings images to mind or Meet the Hollowheads.
That a performance can produce two entirely different reactions in the same person at different stages of their life should tell you all you need to know about its quality.
Robert Davi and Joe Pantoliano are somewhat overshadowed here, but the manic, cackling quality of their introductory act also left quite a lasting impression.
You might have noticed that I have so far only mentioned the special effects in passing while heaping praise upon the acting.
This is because unlike films such as the recent Star Wars prequels, the effects complement the acting rather than overshadow it. From what I am able to tell, all of the effects in The Goonies are practical, and some of them quite inventive.
There is no use of blood squibs, which may disappoint some viewers, but there are enough mechanical sets and air vents to fill three films.
Some of these effects did not turn out so well and were cut from the final film the squid sequence being the most famous example , but unlike a lot of films that depend on special effects for a crucial element, everything shown in the final cut is in perfect sync here.
Suspension of disbelief is never an issue, which is just as well considering some of the preposterous things that roll by the screen with a certain nonchalance.
I gave The Goonies a ten out of ten. Like Superman or the original Lethal Weapon, it shows that Richard Donner knows how to make a classic.
Now that it is twenty years old, it stands forever as a relic of a time when the world of those under the age of eighteen was far less oppressive.
If you have not introduced your children around the age of ten or greater to its joys and moments, then shame on you. Enjoy a night in with these popular movies available to stream now with Prime Video.
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